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In the same way, at time nudes were being acknowledged, rather than demonized, if linked to a certain allegory or maybe the re-enactment of a mythological celebration. An illustration of the above could be the celestial, asexual creature in Botticelli's Venus, a work sharply at odds with late Renaissance tendencies, effectively exemplified by Titia

The delightfully deadpan heroine in the heart of “Silvia Prieto,” Argentine director Martín Rejtman’s adaptation of his own novel of your same name, could be compared to Amélie on Xanax. Her day-to-working day life  is filled with chance interactions plus a fascination with strangers, however, at 27, she’s more concerned with trying to a